Q: Animosities and tensions build up, and Henley and Frey eventually tell you you’re no longer in the band. How does it feel to see them out there still under the banner of the Eagles?
A: Well, there are two things that strike me. Number one, I was sadly disappointed at their record musically. Henley and Frey used to be one of the greatest songwriting teams—like Lennon and McCartney—and for them to come out with their first single from a 1972 J.D. Souther song that I played on in ’72 or ’73 with J.D. and make that their first single, to me was like, “What?!?” I was really disappointed.
Q: They’re touring, playing the old songs, and making a lot of money, but creatively they seem to be exhausted.
A: That’s right. Now, the one thing that Don Henley and Glenn Frey told me as we were working on One of These Nights, “You know, we’re going to make a pact that we’re never going to be like the Beach Boys,” but indeed, ironically enough, that’s exactly what they are. It’s like the Eagles Orchestra now. You go back and listen to the Eagles from 1976, it’s five guys onstage, all singing, all playing, live. It’s not a bunch of overdubs and fixed-up tracks and accompanying musicians. You can really hear what that band used to be.













