TV Guidance

TV Guidance

TV Guidance

Jaime Weinman writes about all kinds of television and other kinds of popular culture. He does not write Gossip Girl episode reviews. Follow Jaime on Twitter: @weinmanj

Clip O'Th'Day: Some 1990 TV Show Openings

by Jaime Weinman on Monday, November 16, 2009 9:56pm - 0 Comments

Posting will be light for the next week or so, but I’ll keep things updated with some filler clips ™ and some links/posts when possible.

To follow up on the last post, here’s a selection from the 1990 TV show intros, right at the tail end of the golden age of long intros. (Intros shrank dramatically in the early ’90s, due to a combination of shortened running times and network executives who didn’t want people tuning out during the main title.) The clips here include that season’s intro for thirtysomething, the short-lived Flash series with the Danny Elfman/Shirley Walker theme music (which got Walker the job scoring Batman: The Animated Series); the equally short-lived TV version of Baghdad Cafe starring Whoopi Goldberg; the definitive Miller-Boyett/TGIF intro, Going Places; and the first TV version of Parenthood, to be supplanted — NBC hopes — by the new version.

The theme for that season seems to have been “rip off popular movies,” whether it involved doing a Flash series (because of the success of Batman the year before) or just straight-out adaptations of then-recent movies like Uncle Buck:

And in the category of “shows that flopped but that I vaguely remember watching,” Gabriel’s Fire, starring James Earl Jones (who won an Emmy) as a wrongfully-convicted cop who becomes a private detective after he’s released from prison. (I remember him celebrating his freedom by eating a hot dog.) I didn’t see the re-tooled version, Pros and Cons, that the network unveiled the following year.

This segment includes about 97 other Miller-Boyett shows, including The Family Man, a flop about which I knew nothing. Those guys really did own TV from about 1989 to ’91. That’s what TV was like in 1990 — a strange combination of ambitious, experimental hour-long shows (like Twin Peaks) and aggressively unambitious comedies (with some exceptions, like Roseanne and the new show that would take over the TV world within a few years, Seinfeld).

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