English loudly laments the overall quality of geography instruction in high school as preparation for university, and suspects feature films have become a “time-killer and treat given to students to please them and keep them happy.” The fact students often report movies are shown in serial fashion during the final 20 minutes of class lends credence to the notion they’re being used to buy good behaviour rather than serving an integral role in the teaching process.
Besides pacifying students, movies may appeal to teachers for other reasons. Instructors of Quebec’s new compulsory ethics and religious culture course in high school have been encouraged to use movies largely because it simplifies preparation time for the hastily rolled-out program.
Advocates of movies defend the practice by observing that students today have grown up immersed in media and technology and they expect the same from their schools. “Film can be a really effective way to get students engaged,” says Joan Engel, the Alberta Department of Education’s director of curriculum for arts, communications and citizenship, mathematics and science.
Alberta’s guide for high school English teachers includes an entire chapter on using film effectively. In particular, Engel notes that reading a book or play and then watching its film version exposes students to multiple perspectives. And the 2008 film Passchendaele, about the Canadian experience during the First World War, was made widely available to Alberta schools and libraries as a supplement to social studies instruction. (Of course, the selection of individual movies remains a subjective matter. Alberta’s high school English guide says this about Psycho, the 1960 Alfred Hitchcock horror classic: “The film is suspenseful, but there is no gratuitous violence.”)
Regardless of relevancy, the blockbuster approach to teaching shows no sign of slowing down. Criterion is planning to unveil a digital movie-delivery system for Ontario schools this September that will simplify the process by piping on-demand movies straight onto classroom screens.
And yet the ubiquity of movies in school may eventually rob film of its educational value, frets one long-time fan. James Frieden, a lawyer based in Santa Monica, Calif., operates TeachWithMovies.com, a website that sells teaching guides to movies for use in schools. These guides are distributed free in Canada to Criterion’s clients.
“You can do all sorts of fabulous things with movies in the classroom,” says Frieden, who also holds a teaching certificate. He promotes using movies to study overlooked concepts such as ethics or cultural differences and prefers using lesser-known, small-budget movies such as Pay it Forward, Water and Fly Away Home for their instructional value. He also recommends that movies be used sparingly.
Frieden blanches at being told Romeo + Juliet has become a substitute for reading the play. And he’s outraged to hear children are watching Hollywood fiction in geography. “Some teachers are out of control when it comes to showing movies,” he complains. “Movies are an underused teaching resource. Unfortunately they’re also an overused babysitting mechanism.”
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