Posts Tagged ‘A Christmas Carol’

Opening Weekend: Tripping with Carrey, Clooney and Hana

By Brian D. Johnson - Friday, November 6, 2009 - 4 Comments

Now that the November winds are blowing and the nights are getting longer, it’s time to fly away. To go anywhere, as long as it’s elsewhere and there’s a glow of magic to warm the heart. Magic—in Hollywood, they like to think they can manufacture the stuff. But it’s not that simple. This week I’m looking at three very different films that deal in magic. But only one of them really makes me believe it. It’s also the smallest of the three and, believe it or not,  it’s a documentary—Inside Hana’s Suitcase, which is beautifully directed by Canadian filmmaker Larry Weinstein, is a real-life fable about lost child of the Holocaust, a miraculous film that draws  hope and inspiration from horrific tragedy. The other two movies are the A Christmas Carol, a 3D opus starring Jim Carrey as virtually every character in the cast, and The Men Who Stare at Goats, an off-kilter comedy starring George Clooney as a U.S. solider trained in para-normal powers.  A Christmas Carol, directed by Robert Zemeckis is the weekend’s designated blockbuster, and although it has some of my colleagues dancing an early Xmas jig, it left me cold. But then I wasn’t especially fond of Forrest Gump either. My humbug response to A Christmas Carol appears in this week’s magazine, and you can read it by clicking on: Everybody wants a piece of Scrooge.

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George Clooney meets his match in 'The Men Who Stare at Goats'

The Men Who Stare at Goats

This may be a George Clooney movie. But it’s not the George Clooney movie. Because this fall there are two, both having premiered at the Toronto International Film Festival. The other is Jason Reitman’s Up in the Air, which is not out until December. And there are also two George Clooneys, at least. There’s Serious George, the shrewd professional who doesn’t suffer fools gladly. You find him movies like  The Good German and Michael Clayton. Then there’s Uncurious George,  the know-it-all goofball who pops up in Coen brothers pictures like O Brother Where Art Thou and Burn After Reading—an idiot who thinks he’s a rocket surgeon.  Both of Clooney’s new movies are comedies, up to a point, and both are based on books. The Goats picture is an outlandish zany farce about guy trying to walk through walls, although it’s inspired by a true story;  Up in the Air is a serious comedy about the world we live in, although it’s fiction.

And here’s the thing. If you’re going to see just one George Clooney movie this fall, you should wait for Up in the Air. It’s by far the better film; and it’s the one for which he’s guaranteed to get an  Oscar nomination. Which doesn’t mean Men Who Stare at Goats isn’t worth a look, if you’ve some free time, and free money, and you don’t want to wait for the video. Hmmm. Talk about damning with faint praise. Continue…

  • Everyone wants a piece of Scrooge

    By Brian D. Johnson - Friday, November 6, 2009 at 1:05 PM - 3 Comments

    ‘A Christmas Carol’ is a hot item in hard times, but Jim Carrey sucks the soul right out of it

    Everyone wants a piece of ScroogeHe did it for the money. An indebted Charles Dickens dashed off A Christmas Carol in six weeks and saw it published, with opportune timing, six days before Christmas, in 1843. The first 6,000 copies sold out by Christmas Eve and the book has never been out of print. With his blockbuster novella, Dickens founded a franchise and reinvented the Christmas spirit, making a plea for joy and generosity in dour industrial England. But had he been visited by the Ghost of Xmas 2009, he would be shocked to see what’s become of his creation—a monstrous, half-human Ebenezer Scrooge who glowers from 3-D movie screens, heralding a Yuletide blitz of getting and spending more than six weeks before Christmas Day. And in Jim Carrey, the star of Disney’s A Christmas Carol, he’d see an actor who out-Scrooges Scrooge by hoarding five of the story’s roles—Ebenezer as an old man and a young boy, plus all three Christmas ghosts.

    Tis the season to be tight-fisted, and Scrooge has never been bigger. Tailor-made for these penny-pinching times, he’s the original bipolar capitalist—the boss from hell who turns into a bailout benefactor. Everyone wants a piece of him. As Margaret Atwood writes in her introduction to a new Dickens anthology, A Christmas Carol and Other Christmas Books, “Scrooge is one of those characters—like Hamlet—who has become detached from the story in which he had his birth, and has become instantly recognizable, even by those who have never read the book.” Recalling her childhood affection for Disney’s Scrooge McDuck, who splashed in a giant vault of coins, Atwood calls him “a sort of anti-Santa Claus—Santa Claus’s dark twin.” Continue…

From Macleans