Martin Short’s Oscar-worthy night at the Canadian Screen Awards
By Aaron Hutchins - Monday, March 4, 2013 - 0 Comments
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Rebelle (War Witch) sweeps Canadian Screen Awards
By Brian D. Johnson - Sunday, March 3, 2013 at 9:07 PM - 0 Comments
Rebelle (War Witch), Montreal director Kim Nguyen’s intimate and compelling drama of an African child soldier, swept Sunday night’s inaugural edition of the Canadian Screen Awards, winning 10 of its 12 nominations. A week after the Oscars, where Rebelle inevitably lost to Amour for Best Foreign Language Film, this low budget Quebec feature triumphed over larger Canadian productions such as Midnight’s Children. And after being flown from the Democratic Republic of Congo to attend the Academy Awards, the film’s 16-year-old star, Rachel Mwanza, was on hand in Toronto to accept the CSA honour for best performance by an actress in a leading role. Mwanza, who made her acting debut in Rebelle, was a homeless street kid in Kinshasa when she was cast as 12-year-old Kimona, an orphan rape victim who tells her story to her unborn child.
Rebelle also won awards for director, original screenplay, supporting actor (Serge Kanyinda), cinematography, editing, production design and sound. That didn’t leave much for everyone else. James Cromwell took best lead actor for his role opposite Geneviève Bujold in Still Mine, its only award. Laurence Anyways, Xavier Dolan’s story of a teacher’s transsexual odyssey, won just two of its 10 nominations, for costumes and make-up. And of its eight nominations, Deepa Mehta’s Midnight’s Children won two: Seema Biswas was named best supporting actress for Midnight’s Children, while screenwriter Salman Rushdie was awarded for adapting his own novel. David Cronenberg’s Cosmopolis took best original song and score. And, as expected, Sarah Polley won the documentary feature prize for her acclaimed family memoir, Stories We Tell.
Hosted by Martin Short and broadcast live on CBC TV, the inaugural Canadian Screen Awards have melded film’s Genies and TV’s Geminis with the goal of creating a bigger, glitzier event. Short trotted out a trunk full of his beloved SCTV characters for the event—including Jiminy Glick, who dished out insults on the red carpet, and Ed Grimley, who puffed out his trouser-hoist paunch and said, “I look like Rob Ford from the back.” From his grand entrance on a swing to being cradled by Glenn Healey while giving a performance-art impression of bagpipes, Short gave a knock-out performance that put Oscar host Seth MacFarlane to shame.
Leading the TV winners were two shows that are now defunct: Flashpoint won for best dramatic series and its star, Erico Calontoni, was named best actor in a drama series, while Less Than Kind won for best comedy series, and best comedy actress (Wendy Meldrum), while Gerry D. (Mr. D) won for best comedy actor. Best actress in a dramatic series went to Meg Tilly for Bomb Girls. Continue…
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Canadian Screen Awards: Photos from the red carpet
By macleans.ca - Sunday, March 3, 2013 at 6:21 PM - 0 Comments
[View the story "Canadian Screen Awards: Photos from the red carpet " on Storify]…
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Martin Short set to host Canadian Screen Awards gala: ‘a hard laugh here, a soft laugh there’
By Brian D. Johnson - Tuesday, February 19, 2013 at 7:00 PM - 0 Comments
… but first the beloved comedian fields our questions
Martin Short, 62, is popping up everywhere these days, from hosting Saturday Night Live’s Christmas show to pitching Lay’s potato chips in a Super Bowl ad. A profile in Vanity Fair canonized the veteran of SCTV and SNL as “Hollywood’s most beloved comedian.” And the Hamilton, Ont.-born entertainer, who lives in Los Angeles, will host the inaugural Canadian Screen Awards in Toronto. Replacing TV’s Gemini Awards and film’s Genies with a single show, the CSA gala will air live on CBC TV on March 3 at 8 p.m.
Q: Nice to see you christening the CSAs. But after your show-stopping song-and-dance number on SNL, you should be hosting the Oscars. Why not?
A: First, I was never asked. Second, that would be a phone call where you’d say, “Oh God, I guess I have to do it, don’t I?” It’s a tough gig. People are very critical of the person doing that job. And at the end of the day, it’s not about them. You work four months on your monologue and all they write about the next day is “How about that Adrien Brody kiss!”

















