By macleans.ca - Wednesday, December 19, 2012 - 0 Comments
A new wave of young musicians is promoting the pipe organ—no hymns, no religious baggage
Pipe organ music is often associated with two unpleasant events: a vampire attack by Bela Lugosi—da, da, da, dahhhhhh—or an endless Sunday liturgy. Its reputation has been tarnished by pianists banging out hymns on unfamiliar instruments, like tourists driving badly in a foreign country. And the popularity of pipe organ music has also been hampered by, well, organists themselves.
“We’re the geeky outcasts playing an eccentric instrument,” notes John Terauds, an organist and classical music blogger for the website Musical Toronto. “When I tell people I’m an organist, I’m met with dead air.”
Sarah Svendsen is a 23-year-old, award-winning organist who recently formed a group called Organized Crime Duo with colleague Rachel Mahon. “We don’t have the best set of social skills,” she admits, laughing. Their goal is to change the outdated image of organists as blue-haired church marms; their strategy involves stilettos, sequins, some theatrics and lots of mascara. For their debut in October 2011 at Toronto’s Phantoms of the Organ concert at the Metropolitan United Church, they vamped it up, spoofing Bach’s famous Toccata and Fugue in D Minor; this year, they played the Star Wars theme. “What better to attract a 12-year-old boy than a 23-year-old girl in a sexy dress?” asks Svendsen. “And Star Wars?”