Welcome To My Show, Famous Person Who Owes Me a Favour!
By Jaime Weinman - Tuesday, June 16, 2009 - 3 Comments
Kristen Bell was excellent on the season finale of Party Down. She is also one of several people who have appeared on this very good but relatively obscure cable show — which, however, will be back for another season — after previously working with the show’s co-creator, Rob Thomas. Her Veronica Mars dad, Enrico Colantoni, guest starred in the Party Down pilot; Jason “Logan” Dohring appeared as a college Republican type, and other Mars actors have guested on the show, even apart from the fact that most of the regular cast was drafted from people Thomas had worked with on that show.
I like when a creator corrals people from his old show into appearing on his new one. I guess sometimes it can seem a little needy, which is why it actually works better if the previous show wasn’t a gigantic hit (which Veronica Mars certainly wasn’t). That way it’s a nice shout-out to fans of the older show, as well as a publicity boost. It’s like Bill Lawrence’s frequent use of Spin City cast members on Scrubs (and his animated show Clone High): they’re good guest stars, but they also create a fun sense of continuity between the creator’s different shows. It’s interesting to watch to see whether their new character is like the one they played on the old show, or a complete change of pace, or something in-between.
The flip side of this practice is, of course, a showrunner bringing in the cast members of his flop show for guest roles on his long-running hit, e.g. Nathan Fillion turning up in a multi-episode guest part on Buffy.
The comments section will hopefully provide other examples of the first kind of guest shot, the famous actor turning up as a favour to the creator of his/her old show. The highest-profile example of this is probably Tom Hanks, having just won two consecutive Oscars, playing himself in the pilot of the Tea Leoni sitcom The Naked Truth. The creator of that show, Chris Thompson, created and ran Hanks’ show Bosom Buddies (and went on to create Action; he’s a bitter, bitter guy), and Hanks did the first episode as a favour to the guy who launched his career.
Here’s the clip; the setup is that Leoni is a sleazy tabloid photographer who is in talks to go over to a respectable publication, but can’t resist her urge to photograph celebrities in compromising situations.
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Adventures in geekdom
By Brian D. Johnson - Thursday, April 2, 2009 at 3:37 PM - 1 Comment

Jesse Eisenberg and Kristen Stewart try their luck at romance in 'Adventureland'
If you’re not craving a fix of fuel-injected testosterone this weekend—and can resist the lure of Vin Diesel, Paul Walker and Michelle Rodriguez re-igniting the Fast and Furious franchise—you can choose between two decidedly less macho alternatives that tap an altogether different vein of nostalgia. Adventureland and Fanboys are both are geek coming-of-age stories set in a pre-9/11 world. And the one I’m recommending, heartily, is Adventureland, a delightful romantic comedy about a shy college grad who puts his virginity on the line while working as a carnie in the summer of 1987. Fanboys is more sophmoric fare—a cute but underwhelming road movie, featuring a whole posse of geeks on a quixotic mission to invade George Lucas’s Skywalker Ranch in 1998.
Adventureland
This sweet midway ride through the ageless carnival of post-teen angst comes from filmmaker Greg Motolla, who directed the priceless high school hijinks of Superbad. While still blessed with a healthy measure of adolescent naïveté, Adventureland is Motolla’s own script and it’s more mature piece of work, a romantic comedy that’s tilted toward romance. It’s a smart, believable and genuinely touching movie—the tale of a young man staring into the chasm that lies between him and adulthood. And it’s one of those rare films that lives up to the gold standard set by The Graduate over four decades ago. Motolla’s script is semi-autobiographical, and it shows. He conjures a world, both physical and emotional, with the kind of telling details that cannot be made up. Balancing rough-edged realism with tender sentiment, it rides the rom com formula without succumbing to it. Continue…














