Photograph by Andrew Tolson

There’s an obvious chicken-and-egg question that arises in an interview with British author Philip Kerr. A thorough pro, Kerr has penned stand-alone novels in various genres, including science fiction, and a first-rate preteen fantasy series (Children of the Lamp). But he’s best known for seven thought-provoking novels featuring German private eye Bernie Gunther. A note-perfect Berliner, from his alcohol consumption to his instinctive antipathy to authority, Bernie is both an everyman striving to maintain his humanity (and his life) in the Nazi and postwar eras, and the Teutonic reincarnation of Raymond Chandler’s PI, Philip Marlowe.

So which came first, noir or Nazis, an interest in hard-boiled detective stories or in the Third Reich? “Germany—I went there long ago,” the 55-year-old replies, “to do a post-grad degree in philosophy of German law. Really, just an excuse to read German philosophy. You know how Bernie hates lawyers? That’s because I hate lawyers.” Immersed in German history, Kerr—like so many writers before him—fell under Berlin’s spell. “Its role in the world wars and the Cold War, its cultural influence in the 1920s—Berlin is the ur-city of the 20th century.”

And the city’s inhabitants won him over too, partly because Berliners had, in Kerr’s opinion, the right enemies—any group loathed by Bismarck and Hitler couldn’t be all bad—and partly because of their black humour, which “sounds cruel if you don’t understand it,” Bernie once remarked, “and even crueller if you do.” Rather like the detective’s comment during his harrowing if brief stay in the Dachau concentration camp, where he met an inmate who was not only Jewish but homosexual and a Communist: “That made three triangles. His luck hadn’t so much run out as jumped on a f–king motorcycle.”

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